Described by The Australian as 'a boon for lovers of the piano and those keeping an ear on exciting musical talent', the Sydney International Piano Competition (The Sydney) has become a fixture on the classical music landscape.
This unique retrospective chronicles more than 100 fascinating performances. They were recorded by 77 pianists during seven events over two decades (19922016).
Over its 14 hours, the eleven CDs in this Limited Edition encompass music by more than 55 composers from Agnew to Zaderetsky and the anthology is organised in seven categories: Baroque, Classical, Romantic, Twentieth Century, Transcriptions & Encores, Australian Piano Music and Piano Concertos. Anyone who has followed The Sydney will recognise the excitement, the fever pitch as this great quadrennial festival of pianism heads towards the final rounds.
This set provides the listener then with a cornucopia of pianism. You can hear lyrical grace in so many of the Scarlatti sonatas, and particularly Rustem Khairutdinov's 1992 performance of the D minor, Kk.9. Poise and rapt stillness informs Roberto Cominati's 1996 Debussy (Images Book II), and the clarity of voicing is carried through in his performance of Rachmaninov's Third Piano Concerto, where, you're swept away with the excitement, but hear all the notes!
Excitement is to be found on virtually each disc in the set, but particularly in the 'Transcriptions & Encores' volume, as well as in the Rachmaninov and Sancan performances by Olivier Cazal, Yuki Takao's Hexentanz (Macdowell), and Tatiana Kolesova's Petrushka pieces. The anthology also gives us the opportunity to experience Australian piano music as interpreted by a range of pianists from, among others, countries like Russia, Canada, China, the United States, Sweden and Japan (and, of course, Australia).
The set features performances from these pianists:
Albright · Arimori · Bogdanov · Bolla · Broberg · Cazal · John Chen · Moye Chen · Cominati · Cyba · Del Pino · Deng · Fung · Fushiki · Gifford · Gillham · Gortler · Goto · Gough · Grigortsevich · Gugnin · Ham · Hill · Janssen · Joamets · Jurinic · Kameneva · Khairutdinov · Kim · Kitamura · Kolesova · Kolomiitseva · Jianing Kong · Xiang-Dong Kong · Kudo · Kurbatov · Kuzmin · Lakissova · Lee · Leske · Li · Liu · Lopatynskiy · Malikova · Malmgren · Masliouk · Melnikov · O'Callaghan · Owen · Pegoraro · Rashkovsky · Samoschko · Samossoueva · Sato · Scott · Shamray · Sim · Soo Rhee · Takada · Takao · Tarasevich-Nikolaev · Tarasov · Tsvetkov · Uehara · Ukhanov · Urassin · Vetruccio · Volodin · Wallisch · Wisniewski · Wright · Xie · Yemtsov · Young · Yu · Zabaleta · Zheng Sydney Symphony Orchestra / Eduard Tchivzhel · Janos Furst
The booklet includes full recording details, and introduction by The Sydney's chairman Virginia Braden, and notes by Piers Lane (Artistic Director of The Sydney), and Cyrus Meher-Homji, who initiated a long-running series of recordings from The Sydney from 1992 onwards and curated this boxed set.
This unique retrospective chronicles more than 100 fascinating performances. They were recorded by 77 pianists during seven events over two decades (19922016).
Over its 14 hours, the eleven CDs in this Limited Edition encompass music by more than 55 composers from Agnew to Zaderetsky and the anthology is organised in seven categories: Baroque, Classical, Romantic, Twentieth Century, Transcriptions & Encores, Australian Piano Music and Piano Concertos. Anyone who has followed The Sydney will recognise the excitement, the fever pitch as this great quadrennial festival of pianism heads towards the final rounds.
This set provides the listener then with a cornucopia of pianism. You can hear lyrical grace in so many of the Scarlatti sonatas, and particularly Rustem Khairutdinov's 1992 performance of the D minor, Kk.9. Poise and rapt stillness informs Roberto Cominati's 1996 Debussy (Images Book II), and the clarity of voicing is carried through in his performance of Rachmaninov's Third Piano Concerto, where, you're swept away with the excitement, but hear all the notes!
Excitement is to be found on virtually each disc in the set, but particularly in the 'Transcriptions & Encores' volume, as well as in the Rachmaninov and Sancan performances by Olivier Cazal, Yuki Takao's Hexentanz (Macdowell), and Tatiana Kolesova's Petrushka pieces. The anthology also gives us the opportunity to experience Australian piano music as interpreted by a range of pianists from, among others, countries like Russia, Canada, China, the United States, Sweden and Japan (and, of course, Australia).
The set features performances from these pianists:
Albright · Arimori · Bogdanov · Bolla · Broberg · Cazal · John Chen · Moye Chen · Cominati · Cyba · Del Pino · Deng · Fung · Fushiki · Gifford · Gillham · Gortler · Goto · Gough · Grigortsevich · Gugnin · Ham · Hill · Janssen · Joamets · Jurinic · Kameneva · Khairutdinov · Kim · Kitamura · Kolesova · Kolomiitseva · Jianing Kong · Xiang-Dong Kong · Kudo · Kurbatov · Kuzmin · Lakissova · Lee · Leske · Li · Liu · Lopatynskiy · Malikova · Malmgren · Masliouk · Melnikov · O'Callaghan · Owen · Pegoraro · Rashkovsky · Samoschko · Samossoueva · Sato · Scott · Shamray · Sim · Soo Rhee · Takada · Takao · Tarasevich-Nikolaev · Tarasov · Tsvetkov · Uehara · Ukhanov · Urassin · Vetruccio · Volodin · Wallisch · Wisniewski · Wright · Xie · Yemtsov · Young · Yu · Zabaleta · Zheng Sydney Symphony Orchestra / Eduard Tchivzhel · Janos Furst
The booklet includes full recording details, and introduction by The Sydney's chairman Virginia Braden, and notes by Piers Lane (Artistic Director of The Sydney), and Cyrus Meher-Homji, who initiated a long-running series of recordings from The Sydney from 1992 onwards and curated this boxed set.
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